Harry Sinclair Lewis (February 7, 1885 – January 10, 1951) was an American novelist, short-story writer, and playwright. In 1930, he became the first writer from the United States to receive the Nobel Prize in Literature, which was awarded "for his vigorous and graphic art of description and his ability to create, with wit and humor, new types of characters." His works are known for their insightful and critical views of American capitalism and materialism between the wars. He is also respected for his strong characterizations of modern working women. H. L. Mencken wrote of him, "[If] there was ever a novelist among us with an authentic call to the trade ... it is this red-haired tornado from the Minnesota wilds." He has been honored by the U.S. Postal Service with a postage stamp in the Great Americans series.
Childhood and education
Born February 7, 1885, in the village of Sauk Centre, Minnesota, Sinclair Lewis began reading books at a young age and kept a diary. He had two siblings, Fred (born 1875) and Claude (born 1878). His father, Edwin J. Lewis, was a physician and a stern disciplinarian who had difficulty relating to his sensitive, unathletic third son. Lewis's mother, Emma Kermott Lewis, died in 1891. The following year, Edwin Lewis married Isabel Warner, whose company young Lewis apparently enjoyed. Throughout his lonely boyhood, the ungainly Lewis—tall, extremely thin, stricken with acne and somewhat pop-eyed—had trouble gaining friends and pined after various local girls. At the age of 13 he unsuccessfully ran away from home, wanting to become a drummer boy in the Spanish–American War. In late 1902 Lewis left home for a year at Oberlin Academy (the then-preparatory department of Oberlin College) to qualify for acceptance by Yale University. While at Oberlin, he developed a religious enthusiasm that waxed and waned for much of his remaining teenage years. He entered Yale in 1903 but did not receive his bachelor's degree until 1908, having taken time off to work at Helicon Home Colony, Upton Sinclair's cooperative-living colony in Englewood, New Jersey, and to travel to Panama. Lewis's unprepossessing looks, "fresh" country manners and seemingly self-important loquacity made it difficult for him to win and keep friends at Oberlin and Yale. He did initiate a few relatively long-lived friendships among students and professors, some of whom recognized his promise as a writer.
Lewis's earliest published creative work—romantic poetry and short sketches—appeared in the Yale Courant and the Yale Literary Magazine, of which he became an editor. After graduation Lewis moved from job to job and from place to place in an effort to make ends meet, write fiction for publication and to chase away boredom. While working for newspapers and publishing houses (and for a time at the Carmel-by-the-Sea, California writers' colony), he developed a facility for turning out shallow, popular stories that were purchased by a variety of magazines. He also earned money by selling plots to Jack London, including one for the latter's unfinished novel The Assassination Bureau, Ltd.
Lewis's first published book was Hike and the Aeroplane, a Tom Swift-style potboiler that appeared in 1912 under the pseudonym Tom Graham.
Sinclair Lewis's first serious novel, Our Mr. Wrenn: The Romantic Adventures of a Gentle Man, appeared in 1914, followed by The Trail of the Hawk: A Comedy of the Seriousness of Life (1915) and The Job (1917). That same year also saw the publication of another potboiler, The Innocents: A Story for Lovers, an expanded version of a serial story that had originally appeared in Woman's Home Companion. Free Air, another refurbished serial story, was published in 1919.
Marriage and family
In 1914 Lewis married Grace Livingston Hegger (1887–1981), an editor at Vogue magazine. They had one son, Wells Lewis (1917–1944), named after British author H. G. Wells. Serving as a U.S. Army lieutenant during World War II, Wells Lewis was killed in action on October 29 amid Allied efforts to rescue the "Lost Battalion" in France.Dean Acheson, the future Secretary of State, was a neighbor and family friend in Washington, and observed that Sinclair's literary "success was not good for that marriage, or for either of the parties to it, or for Lewis's work" and the family moved out of town.
Lewis divorced Grace in 1925. On May 14, 1928, he married Dorothy Thompson, a political newspaper columnist. Later in 1928, he and Dorothy purchased a second home in rural Vermont. They had a son, Michael Lewis, in 1930. Their marriage had virtually ended by 1937, and they divorced in 1942. Michael Lewis became an actor, who suffered with alcoholism, and died in 1975 of Hodgkin's lymphoma. Michael had two sons, John Paul and Gregory Claude, with wife Bernadette Nanse, and a daughter, Lesley, with wife Valerie Cardew.
Upon moving to Washington, D.C., Lewis devoted himself to writing. As early as 1916, he began taking notes for a realistic novel about small-town life. Work on that novel continued through mid-1920, when he completed Main Street, which was published on October 23, 1920. His biographer Mark Schorer wrote that the phenomenal success of Main Street "was the most sensational event in twentieth-century American publishing history". Lewis's agent had the most optimistic projection of sales at 25,000 copies. In its first six months, Main Street sold 180,000 copies, and within a few years, sales were estimated at two million. According to biographer Richard Lingeman, "Main Street made [Lewis] rich—earning him perhaps three million current  dollars".
Lewis followed up this first great success with Babbitt (1922), a novel that satirized the American commercial culture and boosterism. The story was set in the fictional Midwestern town of Zenith, Winnemac, a setting to which Lewis returned in future novels, including Gideon Planish and Dodsworth.
Lewis continued his success in the 1920s with Arrowsmith (1925), a novel about the challenges faced by an idealistic doctor. It was awarded the Pulitzer Prize, which Lewis declined, still upset that Main Street had not won the prize. It was adapted as a 1931 Hollywood film directed by John Ford and starring Ronald Colman which was nominated for four Academy Awards.
Next Lewis published Elmer Gantry (1927), which depicted an evangelical minister as deeply hypocritical. The novel was denounced by many religious leaders and banned in some U.S. cities. It was adapted for the screen more than a generation later as the basis of the 1960 movie starring Burt Lancaster, who earned a Best Actor Oscar for his performance.
Lewis next published Dodsworth (1929), a novel about the most affluent and successful members of American society. He portrayed them as leading essentially pointless lives in spite of great wealth and advantages. The book was adapted for the Broadway stage in 1934 by Sidney Howard, who also wrote the screenplay for the 1936 film version directed by William Wyler, which was a great success at the time. The film is still highly regarded; in 1990, it was selected for preservation in the National Film Registry, and in 2005 Time magazine named it one of the "100 Best Movies" of the past 80 years.
During the late 1920s and 1930s, Lewis wrote many short stories for a variety of magazines and publications. "Little Bear Bongo" (1930) is a tale about a bear cub who wants to escape the circus in search of a better life in the real world, first published in Cosmopolitan magazine. The story was acquired by Walt Disney Pictures in 1940 for a possible feature film. World War II sidetracked those plans until 1947. Disney used the story (now titled "Bongo") as part of its feature Fun and Fancy Free.
In 1930 Lewis won the Nobel Prize in Literature, the first writer from the United States to receive the award, after he had been nominated by Henrik Schück, member of the Swedish Academy. In the Academy's presentation speech, special attention was paid to Babbitt. In his Nobel Lecture, Lewis praised Theodore Dreiser, Willa Cather, Ernest Hemingway, and other contemporaries, but also lamented that "in America most of us—not readers alone, but even writers—are still afraid of any literature which is not a glorification of everything American, a glorification of our faults as well as our virtues," and that America is "the most contradictory, the most depressing, the most stirring, of any land in the world today." He also offered a profound criticism of the American literary establishment: "Our American professors like their literature clear and cold and pure and very dead."
After winning the Nobel Prize, Lewis wrote eleven more novels, ten of which appeared in his lifetime. The best remembered is It Can't Happen Here (1935), a novel about the election of a fascist to the American presidency.
After an alcoholic binge in 1937, Lewis checked in for treatment to the Austen Riggs Center, a psychiatric hospital in Stockbridge, Massachusetts. His doctors gave him a blunt assessment that he needed to decide "whether he was going to live without alcohol or die by it, one or the other." Lewis checked out after ten days, lacking any "fundamental understanding of his problem," as one of his physicians wrote to a colleague.
In the autumn of 1940, Lewis visited his old acquaintance, William Ellery Leonard, in Madison, Wisconsin. Leonard arranged a meeting with the chancellor of the University of Wisconsin-Madison and a tour of the campus. Lewis immediately became enthralled with the university and the city and offered to remain and teach a course in creative writing in the upcoming semester. For a month he was quite enamored of his professorial role. Suddenly, on November 7, after giving only five classes to his select group of 24 students, he announced that he had taught them all that he knew. He left Madison the next day.
In the 1940s, Lewis and rabbi-turned-popular author Lewis Browne frequently appeared on the lecture platform together, touring the United States and debating before audiences of as many as 3,000 people, addressing such questions as "Has the Modern Woman Made Good?", "The Country Versus the City", "Is the Machine Age Wrecking Civilization?", and "Can Fascism Happen Here?". The pair were described as "the Gallagher and Shean of the lecture circuit" by Lewis biographer Richard Lingeman.
In the early 1940s, Lewis lived in Duluth, Minnesota. During this time, he wrote the novel Kingsblood Royal (1947), set in the fictional city of Grand Republic, Minnesota, an enlarged and updated version of Zenith. It is based on the Sweet Trials in Detroit in which an African-American doctor was denied the chance to purchase a house in a "white" section of the city. Kingsblood Royal was a powerful and very early contribution to the civil rights movement.
In 1943, Lewis went to Hollywood to work on a script with Dore Schary, who had just resigned as executive head of Metro-Goldwyn-Mayer's low-budget film department to concentrate on writing and producing his own films. The resulting screenplay was Storm In the West, "a traditional American western" — except for the fact that it was also an allegory of World War II, with primary villain Hygatt (Hitler) and his henchmen Gribbles (Goebbels) and Gerrett (Goering) plotting to take over the Franson Ranch, the Poling Ranch, and so on. The screenplay was deemed too political by MGM studio executives and was shelved, and the film was never made. Storm In the West was finally published in 1963, with a foreword by Schary detailing the work's origins, the authors' creative process, and the screenplay's ultimate fate.
Sinclair Lewis had been a frequent visitor to Williamstown, Massachusetts. In 1946, he rented Thorvale Farm on Oblong Road. While working on his novel Kingsblood Royal, he purchased this summer estate and upgraded the Georgian mansion along with a farmhouse and many outbuildings. By 1948, Lewis had created a gentleman’s farm consisting of 720 acres of agricultural and forest land. His intended residence in Williamstown was short-lived because of his medical problems.
Lewis died in Rome from advanced alcoholism on January 10, 1951, aged 65. His body was cremated and his remains were buried at Greenwood Cemetery in Sauk Centre, Minnesota. His final novel World So Wide (1951) was published posthumously.
William Shirer, a friend and admirer of Lewis, disputes accounts that Lewis died of alcoholism per se. He reported that Lewis had a heart attack and that his doctors advised him to stop drinking if he wanted to live. Lewis did not stop, and perhaps could not; he died when his heart stopped.
In summing up Lewis' career, Shirer concludes:
It has become rather commonplace for so-called literary critics to write off Sinclair Lewis as a novelist. Compared to ... Fitzgerald, Hemingway, Dos Passos, and Faulkner ... Lewis lacked style. Yet his impact on modern American life ... was greater than all of the other four writers together.
- 1912: Hike and the Aeroplane (juvenile, as Tom Graham)
- 1914: Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
- 1915: The Trail of the Hawk: A Comedy of the Seriousness of Life
- 1917: The Job: An American Novel
- 1917: The Innocents: A Story for Lovers
- 1919: Free Air
Serialized in The Saturday Evening Post, May 31, June 7, June 14 and 21, 1919
- 1920: Main Street: The Story of Carol Kennicott
- 1922: Babbitt
Excerpted in Hearst's International, October 1922
- 1925: Arrowsmith
- 1926: Mantrap
Serialized in Collier's, February 20, March 20 and April 24, 1926
- 1927: Elmer Gantry
- 1928: The Man Who Knew Coolidge: Being the Soul of Lowell Schmaltz, Constructive and Nordic Citizen
- 1929: Dodsworth
- 1933: Ann Vickers
Serialized in Redbook, August, November and December 1932
- 1934: Work of Art
- 1935: It Can't Happen Here
- 1938: The Prodigal Parents
- 1940: Bethel Merriday
- 1943: Gideon Planish
- 1943: Harri serialized in Good Housekeeping, August, September 1943 ISBN 978-1523653508
- 1945: Cass Timberlane: A Novel of Husbands and Wives
Appeared in Cosmopolitan, July 1945.
- 1947: Kingsblood Royal
- 1949: The God-Seeker
- 1951: World So Wide (posthumous)
- 1907: "That Passage in Isaiah", The Blue Mule, May 1907
- 1907: "Art and the Woman", The Gray Goose, June 1907
- 1911: "The Way to Rome", The Bellman, May 13, 1911
- 1915: "Commutation: $9.17", The Saturday Evening Post, October 30, 1915
- 1915: "The Other Side of the House", The Saturday Evening Post, November 27, 1915
- 1916: "If I Were Boss", The Saturday Evening Post, January 1 and 8, 1916
- 1916: "I'm a Stranger Here Myself", The Smart Set, August 1916
- 1916: "He Loved His Country", Everybody's Magazine, October 1916
- 1916: "Honestly If Possible", The Saturday Evening Post, October 14, 191
- 1917: "Twenty-Four Hours in June", The Saturday Evening Post, February 17, 1917
- 1917: "The Innocents", Woman's Home Companion, March 1917
- 1917: "A Story with a Happy Ending", The Saturday Evening Post, March 17, 1917
- 1917: "Hobohemia", The Saturday Evening Post, April 7, 1917
- 1917: "The Ghost Patrol", The Red Book Magazine, June 1917
Adapted for the silent film The Ghost Patrol (1923)
- 1917: "Young Man Axelbrod", The Century, June 1917
- 1917: "A Woman by Candlelight", The Saturday Evening Post, July 28, 1917
- 1917: "The Whisperer", The Saturday Evening Post, August 11, 1917
- 1917: "The Hidden People", Good Housekeeping, September 1917
- 1917: "Joy-Joy", The Saturday Evening Post, October 20, 1917
- 1918: "A Rose for Little Eva", McClure's, February 1918
- 1918: "Slip It to ’Em", Metropolitan Magazine, March 1918
- 1918: "An Invitation to Tea", Every Week, June 1, 1918
- 1918: "The Shadowy Glass", The Saturday Evening Post, June 22, 1918
- 1918: "The Willow Walk", The Saturday Evening Post, August 10, 1918
- 1918: "Getting His Bit", Metropolitan Magazine, September 1918
- 1918: "The Swept Hearth", The Saturday Evening Post, September 21, 1918
- 1918: "Jazz", Metropolitan Magazine, October 1918
- 1918: "Gladvertising", The Popular Magazine, October 7, 1918
- 1919: "Moths in the Arc Light", The Saturday Evening Post, January 11, 1919
- 1919: "The Shrinking Violet", The Saturday Evening Post, February 15, 1919
- 1919: "Things", The Saturday Evening Post, February 22, 1919
- 1919: "The Cat of the Stars", The Saturday Evening Post, April 19, 1919
- 1919: "The Watcher Across the Road", The Saturday Evening Post, May 24, 1919
- 1919: "Speed", The Red Book Magazine, June 1919
- 1919: "The Shrimp-Colored Blouse", The Red Book Magazine, August 1919
- 1919: "The Enchanted Hour", The Saturday Evening Post, August 9, 1919
- 1919: "Danger — Run Slow", The Saturday Evening Post, October 18 and 25, 1919
- 1919: "Bronze Bars", The Saturday Evening Post, December 13, 1919
- 1920: "Habaes Corpus", The Saturday Evening Post, January 24, 1920
- 1920: "Way I See It", The Saturday Evening Post, May 29, 1920
- 1920: "The Good Sport", The Saturday Evening Post, December 11, 1920
- 1921: "A Matter of Business", Harper’s, March 1921
- 1921: "Number Seven to Sagapoose", The American Magazine, May 1921
- 1921: "The Post-Mortem Murder", The Century, May 1921
- 1923: "The Hack Driver", The Nation, August 29, 1923
- 1929: "He Had a Brother", Cosmopolitan, May 1929
- 1929: "There Was a Prince", Cosmopolitan, June 1929
- 1929: "Elizabeth, Kitty and Jane", Cosmopolitan, July 1929
- 1929: "Dear Editor", Cosmopolitan, August 1929
- 1929: "What a Man!", Cosmopolitan, September 1929
- 1929: "Keep Out of the Kitchen", Cosmopolitan, October 1929
- 1929: "A Letter from the Queen", Cosmopolitan, December 1929
- 1930: "Youth", Cosmopolitan, February 1930
- 1930: "Noble Experiment", Cosmopolitan, August 1930
- 1930: "Little Bear Bongo", Cosmopolitan, September 1930
Adapted for the animated feature film Fun and Fancy Free (1947)
- 1930: "Go East, Young Man", Cosmopolitan, December 1930
- 1931: "Let’s Play King", Cosmopolitan, January, February and March 1931
- 1931: "Pajamas", Redbook, April 1931
- 1931: "Ring Around a Rosy", The Saturday Evening Post, June 6, 1931
- 1931: "City of Mercy", Cosmopolitan, July 1931
- 1931: "Land", The Saturday Evening Post, September 12, 1931
- 1931: "Dollar Chasers", The Saturday Evening Post, October 17 and 24, 1931
- 1935: "The Hippocratic Oath", Cosmopolitan, June 1935
- 1935: "Proper Gander", The Saturday Evening Post, July 13, 1935
- 1935: "Onward, Sons of Ingersoll!", Scribner’s, August 1935
- 1936: "From the Queen", Argosy, February 1936
- 1941: "The Man Who Cheated Time", Good Housekeeping, March 1941
- 1941: "Manhattan Madness", The American Magazine, September 1941
- 1941: "They Had Magic Then!", Liberty, September 6, 1941
- 1943: "All Wives Are Angels", Cosmopolitan, February 1943
- 1943: "Nobody to Write About", Cosmopolitan, July 1943
- 1943: "Green Eyes—A Handbook of Jealousy", Cosmopolitan, September and October 1943
The Short Stories of Sinclair Lewis (1904–1949)
Samuel J. Rogal edited The Short Stories of Sinclair Lewis (1904–1949), a seven-volume set published in 2007 by Edwin Mellen Press. The first attempt to collect all of Lewis's short stories.
- 1915: "Nature, Inc.", The Saturday Evening Post, October 2, 1915
- 1917: "For the Zelda Bunch", McClure's, October 1917
- 1918: "Spiritualist Vaudeville", Metropolitan Magazine, February 1918
- 1919: "Adventures in Autobumming: Gasoline Gypsies", The Saturday Evening Post, December 20, 1919
- 1919: "Adventures in Autobumming: Want a Lift?", The Saturday Evening Post, December 27, 1919
- 1920: "Adventures in Autobumming: The Great American Frying Pan", The Saturday Evening Post, January 3, 1920
- 1907: "The Ultra-Modern", The Smart Set, July 1907
- 1907: "Dim Hours of Dusk", The Smart Set, August 1907
- 1907: "Disillusion", The Smart Set, December 1907
- 1909: "Summer in Winter", People’s Magazine, February 1909
- 1912: "A Canticle of Great Lovers", Ainslee's Magazine, July 1912
- 1915: Tennis As I Play It (ghostwritten for Maurice McLoughlin)
- 1926: John Dos Passos' Manhattan Transfer
- 1929: Cheap and Contented Labor: The Picture of a Southern Mill Town in 1929
- 1935: Selected Short Stories of Sinclair Lewis
- 1952: From Main Street to Stockholm: Letters of Sinclair Lewis, 1919–1930 (edited by Alfred Harcourt and Oliver Harrison)
- 1953: A Sinclair Lewis Reader: Selected Essays and Other Writings, 1904–1950 (edited by Harry E. Maule and Melville Cane)
- 1962: I'm a Stranger Here Myself and Other Stories (edited by Mark Schorer)
- 1962: Sinclair Lewis: A Collection of Critical Essays (edited by Mark Schorer)
- 1985: Selected Letters of Sinclair Lewis (edited by John J. Koblas and Dave Page)
- 1997: If I Were Boss: The Early Business Stories of Sinclair Lewis (edited by Anthony Di Renzo)
- 2000: Minnesota Diary, 1942–46 (edited by George Killough)
- 2005: Go East, Young Man: Sinclair Lewis on Class in America (edited by Sally E. Parry)
- 2005: The Minnesota Stories of Sinclair Lewis (edited by Sally E. Parry)
- Lingeman, Richard R. Sinclair Lewis: Rebel From Main Street. New York: Borealis Books, 2002.
- Schorer, Mark. Sinclair Lewis: An American Life. New York: McGraw-Hill, 1961.
- Lingeman, Richard ed. Sinclair Lewis: Main Street & Babbitt (Library of America, 1992) ISBN 978-0-940450-61-5
- Lingeman, Richard ed. Sinclair Lewis: Arrowsmith, Elmer Gantry, Dodsworth (Library of America, 2002) ISBN 978-1-931082-08-2
- D. J. Dooley, The Art of Sinclair Lewis, 1967.
- Martin Light, The Quixotic Vision of Sinclair Lewis, 1975.
- Modern Fiction Studies, vol. 31.3, Autumn 1985, special issues on Sinclair Lewis.
- Sinclair Lewis at 100: Papers Presented at a Centennial Conference, 1985.
- Martin Bucco, Main Street: The Revolt of Carol Kennicott, 1993.
- James M. Hutchisson, The Rise of Sinclair Lewis, 1920–1930, 1996.
- Glen A. Love, Babbitt: An American Life
- Stephen R. Pastore, Sinclair Lewis: A Descriptive Bibliography, 1997.
- Stephen R. Pastore, Sinclair Lewis: A Descriptive Bibliography, 2d ed. 2009.
- Ryan Poll. Main Street and Empire. 2012.
- ^"Sinclair Lewis". Biography.com. Retrieved October 13, 2017.
- ^Carl Bode, Mencken (Carbondale, Illinois: Southern Illinois University Press, 1969), p. 166.
- ^Schorer, 3–22.
- ^Schorer, 47–136
- ^Franz Steidl, Lost Battalions: Going for Broke in the Vosges, Autumn 1944 (New York: Random House, 2008), p. 87; Gary Scharnhorst and Matthew Hofer, eds., Sinclair Lewis Remembered (Tuscaloosa: University of Alabama Press, 2012), p. 278.
- ^Acheson, Dean. Morning and Noon, Houghton Mifflin Company, Boston, 1962, p. 44.
- ^Lewis, Sinclair, "Thoughts on Vermont", Vermont Weathervane; talk given to the Rutland, Vt. Rotary on September 23, 1929; publ. c. 1989. Retrieved May 11, 2011.
- ^"The Romance of Sinclair Lewis". The New York Review of Books. Retrieved June 17, 2008.
- ^Schorer, 268
- ^Pastore, Stephen R., Sinclair Lewis: A Descriptive Bibliography, New Haven, YALEbooks, 1997, p.91
- ^Schorer, 235, 263–69
- ^Lingeman, 156.
- ^The Sinclair Lewis Society, FAQ Accessed September 15, 2013.
- ^McDowell, Edwin (1984-05-11). "Publishing: Pulitzer Controversies". The New York Times. ISSN 0362-4331. Retrieved 2018-02-15.
- ^"Dodsworth (1936)", Time, February 12, 2005. Retrieved June 30, 2010.
- ^Bongo Bear at Don Markstein's Toonopedia. Archived from the original on March 6, 2015.
- ^"Miscellania", Sinclair Lewis Manuscripts, Port Washington Public Library. Retrieved June 30, 2010.
- ^"Nomination Database". Nobelprize.org. Retrieved October 13, 2017.
- ^John Bartlett, Familiar Quotations, 15th edition, (Boston: Little, Brown and Company, 1980), 791
- ^ abLingeman, 420–422
- ^"Letter from Sinclair Lewis to Marcella Powers, October 7, 1940 :: St. Cloud State University – Sinclair Lewis Letters to Marcella Powers". reflections.mndigital.org. Retrieved 2016-07-13.
- ^Hove, Arthur (1991). The University of Wisconsin: A Pictorial History. University of Wisconsin Press. pp. 493–495. ISBN 9780299130008.
- ^Chamberlain, John, "Books of the Times". Review of See What I Mean? by Lewis Browne. The New York Times, October 7, 1943.
- ^Lingeman, Richard, Sinclair Lewis: Rebel from Main Street. New York: Random House, 2002, ISBN 0-679-43823-8 page 455
- ^ ab"Archived copy". Archived from the original on July 1, 2016. Retrieved June 1, 2016.
- ^ abLewis, Sinclair; Schary, Dore (1963). Storm In the West. New York: Stein and Day.
- ^Gagnon, Order of the Carmelites, Pius M. Before Carmel Came to the Berkshires. Courtesy of the Williamstown Historical Museum, 1095 Main Street, Williamstown, MA 01267. pp. 19–22.
- ^ abWilliam L. Shirer, 20th Century Journey: A Memoir of a Life and the Times vol. 1: The Start: 1904–1930 (NY: Bantam Books, 1980) 458-9
- ^"The Short Stories of Sinclair Lewis (1904–1949)". Edwin Mellen Press. Retrieved December 31, 2013.
- ^Pastore, Stephen R., Sinclair Lewis: A Descriptive Bibliography, New Haven, YALEbooks, 1997, pp.323–5.
The Life of Sinclair Lewis
Born in 1886, in Sauk Centre, Minnesota, Henry Sinclair Lewis became the first American novelist to win the Nobel Prize for Literature. The son of a country doctor, from a family of three boys, he grew up introverted and intelligent in this town with a population of 2,800, most of which was Swedish and Norwegian. At the age of 17 he broke free of the mid-west, entering Yale, and from there he worked unsuccessfully in publishing for several years. In his spare time he wrote, and after producing five novels, all of which went unnoticed, he became a household name with Main Street in late 1920. After this publication, he had several consecutive successes: Babbitt (1922), Arrowsmith (1925), Mantrap (1926), Elmer Gantry (1927), The Man Who Knew Coolidge (1928), and Dodsworth (1929) were all well received. In 1926 Lewis was to be awarded the Pulitzer Prize for his novel Arrowsmith, but refused. Four years later, however, he accepted the Nobel Prize for Literature.
Once he began writing, Lewis also traveled a great deal. Though much of his time was spent abroad, he continued to write about the people and towns of his homeland. This excerpt taken from an autobiographical sketch submitted to the Nobel Prize committee details his feelings on the United States:
I have travelled much; on the surface it would seem that one who during these fifteen years had been in forty states of the United States, in Canada, Mexico, England, Scotland, France, Italy, Sweden, Germany, Austria, Czechoslovakia, Jugoslavia, Greece, Switzerland, Spain, the West Indies, Venezuela, Colombia, Panama, Poland, and Russia must have been adventurous. That, however, would be a typical error of biography. The fact is that my foreign travelling has been a quite uninspired recreation, a flight from reality. My real travelling has been sitting in Pullman smoking cars, in a Minnesota village, on a Vermont farm, in a hotel in Kansas City or Savannah, listening to the normal daily drone of what are to me the most fascinating and exotic people in the world - the Average Citizens of the United States, with their friendliness to strangers and their rough teasing, their passion for material advancement and their shy idealism, their interest in all the world and their boastful provincialism - the intricate complexities which an American novelist is privileged to portray.
The Writing Style of Sinclair Lewis
Besides being the first American author to win the Nobel Prize in literature, Sinclair Lewis had a writing style that was considered revolutionary. In 1920, the publication year of Main Street, the United States was still feeling the effects of World War I. Glorified both internationally and within the country, Americans were seen as ideal citizens from a superior land. Lewis took a daring stand, and his work brought about the deconstruction of the myth regarding small-town America.
Within our class, we have discussed Main Street (1920) and the movie Elmer Gantry (1960), based on Lewis’s book by the same title (1927). Both of these focused on its setting: the Midwest in the early twentieth century. Centering a story in a midwestern town was not what sets Lewis apart from writers who came before him; it was the manner in which he portrayed those towns. Main Street was not simply Main Street in Gopher Prairie, but a representation of every American town. The sights, sounds, and people were all given names and identities, but none are exclusive to the plains of Minnesota. Main Street opens with this passage that shows exactly what Lewis was known for in his writing. It emphasizes the universality of his characters and settings:
This is America – a town of a few thousand, in a region of wheat and corn and dairies and little groves.
The town is, in our tale, called “Gopher Prairie, Minnesota.” But its Main Street is the continuation of Main Streets everywhere. The story would be the same in Ohio or Montana, in Kansas or Kentucky or Illinois, and not very differently would it be told Up York State or in the Carolina hills.
Main Street is the climax of civilization. That this Ford car might stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus wrote in Oxford cloisters. What Ole Jenson the grocer says to Ezra Stowbody the banker is the new law for London, Prague, and the unprofitable isles of the sea; whatsoever Ezra does not know and sanction, that thing is heresy, worthless for knowing and wicked to consider.
Our railway station is the final aspiration of architecture. Sam Clark’s annual hardware turnover is the envy of the four counties which constitute God’s Country. In the sensitive art of the Rosebud Movie Palace there is a Message, and humor strictly moral.
Such is our comfortable tradition and sure faith. Would he not betray himself an alien cynic who should otherwise portray Main Street, or distress the citizens by speculating whether there may not be other faiths?
In addition to describing his ability to relate the essence of small-town America, this passage demonstrates another aspect that was inherent to the nature of Lewis’s writing. Though Main Street is not a humorous book by any standards, it is written with an entirely satirical edge. Gopher Prairie is shown through the eyes of Will and Carol Kennicott. Will is a country doctor, likely inspired by Lewis’s own father. He represents the common, hard-working American, and sees his town as one. Recognizing the majesty in the pillars of the bank building, the glory in the fall colors, and individuality of each citizen of his small town, Will Kennicott does indeed see Gopher Prairie as the “climax of civilization”. Carol Kennicott plays the devil’s advocate, showing the reader the irony of Main Street. She recognizes, as Lewis does, that there is nothing phenomenal about these few rows of houses in particular, nothing extraordinary in this town over any of the others that are sprinkled throughout the plains of Minnesota – or anywhere else in the mid-west. It was this sense of irony, in combination with the ability to portray the universal feature of small-town America that led Sinclair Lewis to the winning of the Nobel Prize in Literature. He acheived this honor "for his vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters."
More Sinclair Lewis
Additional resources for Sinclair Lewis, including a complete list of works, his submitted autobiography, and the Nobel Prize in Literature presentation speech can be found here.
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